A reverb that shows you what it is doing to your mix. Zero latency, so it is fine on a live input. The first eight knobs are the ones Push shows: Mix, Size, Decay, Predelay, Tone, Mod, Width and Duck.
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Hall, Plate, Chamber, Room, Cathedral, Nonlin (gated, retriggers on each hit) and Reverse. Colour sets the era: Now, 1980s or 1970s.
A 3D view of the tail: frequency across, level up, time into the distance. Amber shows where the reverb masks the sidechain or the input. Rose ticks mark resonant peaks.
One click raises the low cut, tightens the bass and sets a tail EQ so the reverb moves out of the way of the track feeding the sidechain. Click again to undo.
The reverb drops while the sidechain, or the dry input, is playing, with its own release.
Hold the tail from a button, any MIDI note or the sustain pedal. Tuned makes the frozen tail ring at the held note. Spectral resynthesises it endlessly into a pad.
Two LFOs, input and sidechain envelopes, velocity and mod wheel, routed to any knob with bipolar depth.
Capture the tail of what is playing, or print the current reverb as an impulse response and drag it straight into Live.
Compare two settings, copy between them, match loudness so the comparison is fair, and undo any move.